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"Brandenburg"
This arrangement of part of two movements from the Brandenburg Concertos was scored by Roger Tomlinson in 1992 for the last British Military Tattoo held in Berlin.
"Going Home" - Largo from the New World Symphony
This arrangement by Geoff Kingston of Antonin Dvorak’s Largo ‘New World Symphony’ is in the style of James Last ‘Classics for Dreaming.’ This is always popular and a nice gentle concert interlude.
(Is This The Way To) Amarillo?
"(Is This the Way to) Amarillo?” recorded by Tony Christie and Peter Kay has been arranged by Kevin Riley. Popular with concert audiences worldwide - a great concert ‘livener’ and fun to perform.
“Fortes Fortuna Adiuvat” (Fortune Favours The Brave)
Ian Mitchell originally composed “Fortes Fortuna Adiuvat” (Fortune Favours the Brave) for the Household Division production Viva Music III, held at the Royal Military Academy, Sandhurst, in 2008.
A Brace from the Valleys
A Brace from the Valleys, composed and arranged by Denis Burton comprises of two traditional Welsh folk tunes, ‘Hob Y Deri Dando’ and the ‘Blackbird’.
A Winter's Odyssey
“A Winter’s Odyssey” composed and arranged for Concert Wind Band by Ian Macpherson captures the very essence and spirit of the winter season with a distinct Yuletide feeling.
All Things Bright and Beautiful
All Things Bright & Beautiful is loved by all generations. Odd time signatures and rhythmic nuances will keep your band on its toes and capture your audience’s attention.
Anno Domini - A Christmas Overture
Ian Mitchell’s ‘Anno Domini’ is a spectacular Christmas Overture incorporating familiar carols in a dramatic, contemporary setting. Lusciously scored with dynamic rhythms and flowing melodies.
Asturias (Leyenda) from Suite Española
George Pollen has arranged Isaac Albéniz’s Asturias (Leyenda) for Concert Wind Band, capturing all the vibrancy and vitality of this dynamic work. This is a well-crafted arrangement.
Callithumpian Concert
Ian Mitchell’s ‘Callithumpian Concert’ is an overture base upon a generic type of concert typical of the 19th century where people attended purely to ridicule the performers.
